Melanie's Marilyn

A trip to the laundromat on Saturday yielded a meeting with a young lady who had a couple visible tattoos on one of her feet and an ankle. Fortunately, my curiosity got the better of me because, when I asked her about them, she revealed much better work, namely this phenomenal Marilyn Monroe portrait on her inner right forearm:

This stunning work was created by the incomparable Virginia Elwood at New York Adorned. I have been fortunate to encounter Ms. Elwood's work previously here and here.

Melanie is a huge fan of Marilyn Monroe and she is proud to wear this icon on her sleeve. Clicking on the tag for Marilyn Monrow below will reveal other Marilyn tattoos that have appeared previously on Tattoosday.

Thanks to Melanie for sharing this phenomenal portrait with us here on Tattoosday!

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Stacy's Amigo Tugs Her Back to Milwaukee

At the end of July, I ran into Stacy waiting for the F train at West 4th Street in Manhattan.

She had a panther peeking out from under her shirt on her back, but we couldn't get the whole tattoo in a shot, so she offered up this piece on her right arm:

Stacy is a poet and the Artistic Director of The Poetry Project at St. Mark's Church in New York City. She has been here five years and originally hails from Milwaukee.

Living next to Lake Michigan has many benefits. Having always lived in a location near a large body of water, I can relate to her admiration for the beauty of a seascape, whether it be an ocean or a great lake.

Stacy told me she enjoyed watching the tugboats in her home town, and that these small vessels are a "connective image" that draws her back to her original home.

This tattoo was designed and inked by Stephanie Tamez at New York Adorned. Work from Stephanie on Tattoosday can be viewed here.

This is also the second tugboat of the summer. The first one is here.

Thanks to Stacy for sharing her tugboat with us here at Tattoosday. Perhaps we'll see her panther when the Tattooed Poets Project returns next April for its third year!

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Under One Small Star - Two Tattoos from Anna

I met Anna earlier this month in Penn Station. I felt compelled to stop her when she walked by and I caught a glimpse of this amazing tattoo:

I love seeing ink that is new and original, and I had never seen a line of anything run up the length of a leg like this.

Anna explained that this was a line of poetry that reads "My apologies to time for all the world I overlook each second" that she heard on a trip to Cambodia. Her group leader, Jan, had shared the poem, "Under One Small Star" by Polish Nobel Laureate Wislawa Szymborska, and the verse meant a lot to her during her trip there. This one specific line really resounded with her, so she first "paid a Khmer translation site and then had a friend [she] made in Cambodia, Ponheary, check the translation just to make sure it was correct".

I love the international flavor of this tattoo - a poem originally in Polish, translated to English, then re-translated to Khmer, transcribed in flesh in America!

The line runs from top to bottom and was inked by Jason at Powerhouse Tattoo Company in Montclair, New Jersey.

The poem is reprinted in its entirety at the end of this post.

Since it is Tat-Tuesday, let's look at a second tattoo from Anna, this one on the back side of her right arm:

This is Joan of Arc, "a hero of mine," says Anna, who admires her from the feminist perspective and finds her an "unbelievably inspirational" historical figure.

This piece was tattooed by the wonderful Stephanie Tamez at New York Adorned. Stephanie's work has appeared previously on Tattoosday here.

Thanks again to Anna for sharing these two of her seven tattoos with us here on Tattoosday!

Under One Small Star

My apologies to chance for calling it necessity.
My apologies to necessity if I'm mistaken, after all.
Please, don't be angry, happiness, that I take you as my due.
May my dead be patient with the way my memories fade.
My apologies to time for all the world I overlook each second.
My apologies to past loves for thinking that the latest is the first.
Forgive me, distant wars, for bringing flowers home.
Forgive me, open wounds, for pricking my finger.
I apologize for my record of minuets to those who cry from the depths.
I apologize to those who wait in railway stations for being asleep
today at five a.m.
Pardon me, hounded hope, for laughing from time to time.
Pardon me, deserts, that I don't rush to you bearing a spoonful of water.
And you, falcon, unchanging year after year, always in the same cage,
your gaze always fixed on the same point in space,
forgive me, even if it turns out you were stuffed.
My apologies to the felled tree for the table's four legs.
My apologies to great questions for small answers.
Truth, please don't pay me much attention.
Dignity, please be magnanimous.
Bear with me, O mystery of existence, as I pluck the occasional thread
from your train.
Soul, don't take offense that I've only got you now and then.
My apologies to everything that I can't be everywhere at once.
My apologies to everyone that I can't be each woman and each man.
I know I won't be justified as long as I live,
since I myself stand in my own way.
Don't bear me ill will, speech, that I borrow weighty words,
then labor heavily so that they may seem light.

--Wislawa Szymborska

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Claire's Hemaris Thysbe Flutters on Her Forearm

Butterfly tattoos can be a dime a dozen (no offense, butterfly fans), but moths, on the other hand often get a bum rap, taking a back seat to their more flamboyant insect cousins. To the chagrin of some inked lepidopterists, you don't see as many moth tattoos. This, however, is a lovely exception, perched on Claire's forearm:

This is Hemaris Thysbe, more commonly known as the Clear Wing Hummingbird Moth, a beautiful insect that gets its name from its large size and rapid wing speed.

Claire, who I met in Borders at 2 Penn Plaza, is originally from Vermont and this moth reminds her of back home. There are certainly no Hummingbird Moths fluttering about New York City!

She found a picture she liked and took it in to Yoni Ziebler at Brooklyn Adorned where he recreated this lovely specimen.

Work from Adorned appears here often and can be seen together under this tag.

Thanks again to Claire for sharing her Hummingbird Moth with us here on Tattoosday!

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Brian's Mat-tree-monial Tattoo

Late last month, I met Brian on the 34th Street A platform and he shared this amazing tattoo:

The piece was relatively fresh, having been inked only a couple weeks before.

He explained that this tree represents the Tree of Life. He alluded to the roots that spread out, firmly symbolizing family.

Brian also explained that it was an investigation piece: he added a key, hanging from a branch. This symbolizes his desire to unlock the meaning of life.

What's doubly special about this tattoo is that it is also a marriage tattoo. Brian's wife has a similar tree on her right arm (Brian's is on the left), only with cherry blossoms instead of a key, and a baby in the design as well.

The couple are linked not only by their vows, but by their similar ma-tree-monial tattoos. Sorry, I couldn't help it.

The tattoo is by Kaz at Brooklyn Adorned. Work from Kaz has appeared previously on Tattoosday here. And this tag, links all previous Adorned work on the blog.

Thanks to Brian for sharing this amazing tattoo with us here on Tattoosday!

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Kristina's Rooster Crows in Honor of Her Son

It was funny, now that you think of it, the way everything came full circle.

I was picking my younger daughter, Shayna, up from camp, when I spotted a woman approaching from the opposite direction.

It was after six, on a weekday, and she had a small boy in tow, wearing a t-shirt indicating that he was in the same camp, albeit a younger group, as my child.

She was displaying an amazing rooster tattoo, covering her upper left arm.

Initially, Kristina seemed hesitant to let me take a photo, but as we talked, she changed her mind, and let me snap away.

This was inked by the incomparable Virginia Elwood, who does incredible work, especially with bird tattoos. Work from Virginia, at New York Adorned, has appeared previously here on Tattoosday.

In all fairness, the right side of the tattoo is compromised in the photo above by the sun (and the bane of a borrowed camera), so the best view is the front part of the rooster:

Kristina explained that she chose the Rooster because that was the year in the Chinese Zodiac in which her son was born. It certainly is a wonderful way to commemorate her child.

Almost as an afterthought, Kristina mentioned that a couple years back, on a subway platform, someone had asked her if he could take a picture of her tattoo, still in progress, for his blog, but she politely declined.

I thought about it for about a second when I smiled and exclaimed "That was me!"

In three years, I've approached a lot of people about their tattoos, and they all blur together.

But I still recall the disappointment I felt at 34th Street, when the woman with the unfinished rooster tattoo from Adorned politely declined my request.

Lucky me, time solved that missed opportunity, and I got to see the finished product, in the bright afternoon soon, years after I had asked.

And it was certainly worth the wait.

Thanks kindly to Kristina for sharing her incredible rooster tattoo with us here on Tattoosday!

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Belinda's Penny-Farthing

At the end of May, I spotted Belinda's unusual bicycle tattoo on the 34th Street subway platform during Friday afternoon rush hour:

Of course, I asked her about this piece on her left ankle, since it isn't too often you see old-fashioned bicycle tattoos on people.

Belinda explained tha a while back she had gone on a pilgrimmage to Spain, which included a 100-mile trek on bicycles. This design is of the "high wheel bicycle" that was introduced in the late 19th century and is more commonly referred to as the penny-farthing. She told me that this was a much more efficient bicycle than had been seen before. The larger wheel allowed it to travel better, although the falls from a much greater height were a problem.

Belinda added,

"The purpose of the pilgrimage was not religious but more a curiosity to see this path (the Way of St. James) that people have been taking for hundreds and hundreds of years just because of faith. I felt it was a great way to see the real "Spain" by riding through the small villages and woods...we ended in Santiago de Compostela..."

This tattoo was inked by one of the artists at NY Adorned. Work from Adorned has appeared previously on Tattoosday here.

Thanks again to Belinda for sharing this cool tattoo with us here on Tattoosday!

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Nadine's Ankh and Orchids

I met Nadine last month and she was kind enough to share this beautiful floral piece with us:

The symbol in the foreground is her own "stylized version" of an ankh, a symbol dating back to ancient Egypt which means eternal life.

She has orchids added to the piece because her mother loves those flowers.The orchids were inked about five years ago which is remarkable because reds and yellows tend to fade more quickly on the skin and, Nadine notes, "so far my color has held true".

The ankh took about 45 minutes to do while the rest of the tattoo took five and a half hours over two sittings.

She wanted to point out that the outline is done in purple ink, not black, a nice artistic touch that she convinced her artist was a good choice.

This lovely tattoo was done at New York Adorned, by Brian Randolph.

Work from NY Adorned has been posted previously here (links to all posts tagged NY Adorned).

Thanks again to Nadine for sharing this fantastic tattoo with us here on Tattoosday!

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Stevie's Tattoo Calms and Inspires

Last Wednesday marked the official end to the veritable tattoo drought this winter in New York has afforded us here on Tattoosday.

In addition to the three people I met at lunch, my train ride home and, subsequently, my day, was punctuated by a fleeting encounter with a woman named Stevie on the R train.

I had just plopped down in one of the seats after having moved car-to-car between stops, in an effort to get toward the back of the train. I mention this to illustrate how fortunate I was to be where I was, when Stevie boarded the train.

She got on at one stop and, by the time she had exited two stations later, I had had just enough time to take a picture of the wonderful tattoo on the back of her right calf, and pass her the blog info so she could contact me with more details.


Stevie has seven tattoos and this one came from the incomparable New York Adorned at the talented hands of Virginia Elwood. Stevie worked over several sessions with Virginia, ironing out the details of the piece, which was completed in one sitting.

There are three elements to the tattoo: the lotus, the hamsa, and the peacock feathers.

Via e-mail, Stevie explained:

I moved out here from the West Coast to teach in inner-city schools. When I first started teaching and things would get nerve-wracking I'd tap on this hamsa hand necklace I always wore. For whatever reason it calmed me down and reminded me that I was here to infuse some change and to do some awesome work. When I became an NYC Public School teacher I decided I'd like it on me permanently. The hamsa hand is a symbol of faith and clarity and that's what I think I found in myself, like my calling. The lotus flower goes along with this idea of rising to the surface and blossoming while the peacock feathers were an aesthetic touch.

Work from New York Adorned has appeared previously on the site here.

Thanks so much to Stevie for sharing her amazing work with us here on Tattoosday!

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Elizabeth's Alphabetical Ink

Imagine me in Penn Station. I see a woman with a small letter tattooed on her. Interesting. Then I notice that she has them everywhere, in no apparent order, on her legs, on her arms, on the back of her neck. Not something you see every day. I had to ask her about them, and Elizabeth was kind to indulge my curiosity.

Elizabeth is a typographer, by profession, and she works with letters as part of her trade. Over the course of three years, she had the entire alphabet tattooed, two or three letters at a time, all over her body.

Here's the one photo I took that captured two letters in one frame:


I asked her if she went in alphabetical order and she told me she hadn't. Whatever letters she was working on at the time, she would have inked. In other words, she'd head into New York Adorned for her appointment with Stephanie Tamez, and whatever was at the forefront of her consciousness, that's what she had tattooed.

I was familiar with Stephanie Tamez for, most recently, this tattoo on the writer Eileen Myles. So I sent Stephanie an email and asked her to comment on this particular twenty-six part tattoo.

Stephanie wrote:

"I...remember the alphabet on Elizabeth, she is sweet and lovely as well. As you may or may not know I have had a reputation for tattooing many a letter, many a word, many a sentence and many a paragraph. I bet I have in all filled a few novels. Ha. Anyway from what I can recall with Elizabeth, it was very simple and fun and straight forward. I have done several alphabets throughout the years on mostly graphic designers who are captivated by fonts. I have done words on graphic designers from France to Mexico and done many a word on many a writer. I wish I could remember them all and had been logging all their tales..."

Elizabeth had also mentioned to me that she was meeting with Ina Saltz, an art director, designer, writer, photographer and professor at City College of New York. Unbeknownst to me at the time, Ms. Saltz had written a book called Body Type, which is a study of typographic tattoos.

Having since read the book (highly recommended to all), I related to Ms. Saltz's quest, that began with a chance spotting of a word tattoo on a crosstown bus several years ago. Of course, I have featured numerous word tattoos over the past couple of years, but Body Type's chronicling of the vast array of typographic tattoos is certainly entertaining to anyone who appreciates the art. In fact, Ms. Saltz goes out of her way to acknowledge Stephanie Tamez as one of the premier word tattooists. In all fairness to Ms. Tamez, one look at her website will reveal that, although she is acknowledged as a skilled tattooer of words, her skills and artistry go far beyond the inking of letters!

Anyway, back to Elizabeth, who followed up our encounter with an e-mail discussing the font she used for her tattoos, but also with (per my request) an alphabetical catalog of all her letters:

My tattoos are in Garamond (for the real font nerds out there, it's a few different cuts, mostly Garamond 3 and Stempel Garamond, a couple are in Adobe Garamond). I'm a typographer and I've always loved Garamond � the first Roman font to be used on Gutenberg's press. The typeface has been in existence since 1530, and still embodies so much of what we perceive as 'perfect' in letterforms today. Yes, they're all in lower case. No plans for capitals, or punctuation...no plans for any more tattoos, in fact.

Below is the catalog of letters. although I will say I didn't get them in alphabetical order, and I got them slowly over a few years. It was usually whatever letters I was drawing a lot at the time, or thinking about.

a: front-facing left shoulder
b: left thigh
c: inside left arm
d: right upper right arm/bicep
e: sternum
f: right calf
g: inside right wrist
h: inside right calf
i: inside left thigh, just above knee
j: inside left wrist
k: left upper left arm/bicep
l: left forearm
m: right forearm
n: collarbone
o: inside right bicep
p: inside right thigh
q: nape of neck [pictured]
r: top of right shoulder
s: top of right foot
t: left shin
u: back
v: back
w: back
x: shoulder blade
y: left calf
z: behind left ear [pictured]

Thanks to Elizabeth for her cooperation and participation here on Tattoosday. Also, much thanks to Stephanie Tamez (see her official website here) for her chiming in on the experience.

Do look into Body Type, as well. It's a lovely book indeed.

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Alyssa's Tattoos: A Little Bit of Art, A Little Bit of Soul

Generally speaking, New Yorkers tend to avoid speaking to one another on the subway, or the subway platforms. As one would imagine, you see a lot of great ink on the trains, and I've become less and less concerned when it comes to breaking the "don't talk to strangers on the subway" rule.

I met Alyssa on the subway platform at Court Street in Brooklyn and she shared two very interesting tattoos with me.

She first offered up this very interesting piece on the inner part of her upper left arm:


For the full effect, this is what the edges look like as they wrap around the arm:


This design is actually a replica of a bracelet she used to wear, a piece that was designed by her maternal grandfather. He was a jewelery designer by trade. The bracelet was constructed of sandcastle silver and inspired by Zuni art. The Zuni of the American Southwest are known for their skill in silversmithing.

I asked Alyssa why she chose a bracelet to be tattooed on her and she informed me, "I was coming back to who I was as a person" and that she wanted to put something artistic on herself. Incorporating an object that was an artistic creation of her grandfather made sense to her.

I was pleased when I asked her about this tattoo as well, and she kindly allowed me to take the picture:


This tattoo is on the back side of her upper right arm, and I was fascinated by its unusual design. She explained that a good friend of hers is an American Sign Language (ASL) translator, and that the figure is demonstrating the sign for "Soul". The way motion is depicted in the tattoo is completely brilliant, in my opinion.


Both tattoos were inked by Daniel Santoro at New York Adorned. He's now at Smith Street Tattoo Parlour in Brooklyn.

Thanks to Alyssa for sharing these lovely tattoos with us here on Tattoosday!

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