Tattoosday Goes To Hawai'i - All in the Family, Part 5 (Ulu's Amazing Plumage)

In January 2008, when Tattoosday was a mere infant blog, my mother sent me photos of some of the ink my cousins possessed.

I already shared Keali'i's sleeves here, but included in that email from Mom was this astonishing piece from his kid sister, my niece, Ulu:

Photo by Diane Scrafton Cohen Ferreira

I reached out to Ulu (which is a shortened version of her middle name, Uluwehi, which is abbreviated from her full middle name, Kamali'iwahineuluwehi) and we exchanged messages, but we never connected to discuss the tattoo. Then, last month, I was in Hawai'i, at the home of Ulu and her husband Travis.

For the record, despite my inkspotting ways, I was never sure if I'd have the opportunity on this trip to document all my nieces' and nephews' ink. I knew I'd be seeing them, but my purpose for doing so was not tattoo-related.

But as you may have read over the last week, there I was at Ulu and Travis's place, hanging out with family, and the subject turned inky, and out came the camera.

Still, I wasn't sure I would be seeing the tattoo from my mom's photo - Ulu was wearing a dress and I'm always walking on eggshells when it comes to lower back tattoos. But I was taking pictures of everyone else's tattoos and Ulu's back piece was mentioned. She happily changed into sweats so I could take a closer look at this amazing peacock feather tattoo:

One of the things I had always wondered was how far around the feather went. I got my answer soon enough:

As you can see the tattoo dips gracefully down after it rounds the hip. I'm glad I got to see this side because I was able to capture the detail in the color and the tiny pink butterfly near the tip of the quill:

Ulu got this, aside from the beauty of it, to cover up a "tramp stamp" [her words, not mine - no angry comments, please]. The original piece is covered by the eye of the peacock feather.

The artist responsible for this incredible tattoo is Libra, who freelances in Hawai'i, but occasionally does guest spots at 808 Tattoo, and was at East Side Tattoo Studio at the time this was done.

In that original email from Grandma Diane (my mom), she also included the tattoos of Travis, Ulu's husband.

I had never met Travis before, but was welcomed by him as one of the family. I took my own photo of the forearm ink he wears, also by Libra, in honor of his and Ulu's children, Ezra and Trinity.

My deepest and most sincere thanks to both Travis and Ulu, not only for their hospitality and kindness, but for sharing their tattoos with us here on Tattoosday.

This concludes the "All in the Family" subset of the Tattoosday Goes to Hawai'i series. A warm mahalo to all of my nieces and nephews for letting their mainland uncle help share their tattoos with the Tattoosday community.

Previously in the Tattoosday Goes to Hawai'i - All in the Family series:

Part 1, A Preface
Part 2, Keali'i's Sleeves
Part 3, Ikaika, In Progress
Part 4, Lehua's Eternal Tribute to Poppa John

More about → Tattoosday Goes To Hawai'i - All in the Family, Part 5 (Ulu's Amazing Plumage)

Tattoosday Goes to Hawai'i: Tricia Allen's The Polynesian Tattoo Today

This is the first of many posts to follow from my recent trip to the beautiful state of Hawai'i....

On Saturday, April 24, I had the distinct pleasure of meeting a tattoo artist and writer who I have admired for quite some time.

I previously spoke about Tricia Allen when I looked at her book, Tattoo Traditions of Hawaii.


Now, with her new book freshly published, I not only got to have my copy signed, but I was fortunate enough to be there for the tattoo contest that followed.


The competition was divided up into four categories (Traditional Polynesian, Tribal, Non- Polynesian and Color). The whole event was pretty laid back, as far as tattoo contests go. In fact, there was a lot of work that was not entered among the audience that could have been in the money, so to speak.

With a heavy focus on the Polynesian style, the two entrants in the color category meant my tiger could have won third prize, at least, had I been astute (and courageous) enough to enter.


In the Traditional Polynesian category, I was particularly fond of Tino Hoffman's thigh piece (pictured, left) with a honu (sea turtle) at the center. Although one could also not help buy be impressed by Robert Medeiros (right), whose canvas merited him top honors in the Tribal category.

A whole slew of photos from the event can be seen here in one of the Facebook albums on the 808Ink fanpage. The magazine premieres next month as a quarterly publication dedicated to tattoos in and around Hawai'i.

It was clear to me that one of the many talents present was the namesake of Tattoos by Bong. I even had a chance to meet Bong, who was responsible for the incredible art on Mr. Medieros.

Having just flown in earlier that day from New York, I most likely would have been a little more hyper-involved with the post-contest mix of book signing (even the subjects featured in Ms. Allen's book were signing the pages on which they appeared) and tattoo admiration among the dozens of contestants and throngs of tattoo fans. But, as 10:00 PM approached, my internal clock was still screaming at me from the Eastern Time Zone yelling "4AM! 4AM!". So i had to bow out a little earlier than I would have liked to.

I spent just under five days on Oahu, and was amazed by the amount of tattooed folk I spotted, much more than I remember seeing just a few years earlier. The skyrocketing popularity of tattooing on the mainland is certainly mirrored in the fiftieth state and amplified, it is safe to say, by the deep roots of tattooing in Polynesian culture and history.

Nowhere is this more apparent than in the beautiful, glossy pages of Tricia Allen's new book, which receives a ringing endorsement from us here at Tattoosday.


The book is no tiny effort. At 285 pages, it features hundreds of full-page color photos of various styles of Polynesian tattoos, not just from Hawai'i, but from all around the South Pacific. In addition, many of the artists who created the work are profiled in the back section of the book.

I cannot help but enthusiastically recommend the book to all. It certainly made my flight back to the East Coast a lot more enjoyable. My biggest regret was not being in Hawai'i long enough to be able to have Ms. Allen tattoo me, an activity at the top of my to-do list in the future.

One more ringing endorsement comes from Ed Hardy: �This collection of amazing photos attests to the high level of artistic achievement and technical ability of the Polynesian people today, as well as non-islanders who have been heavily influenced by the art of the Pacific.�

Buy your copy from Tricia's website directly here and while visiting the site, explore the galleries, sign up for her newsletter, and check out her schedule to see when and where she will be tattooing and/or signing copies of her book in the future.

More about → Tattoosday Goes to Hawai'i: Tricia Allen's The Polynesian Tattoo Today