Stacy's Amigo Tugs Her Back to Milwaukee

At the end of July, I ran into Stacy waiting for the F train at West 4th Street in Manhattan.

She had a panther peeking out from under her shirt on her back, but we couldn't get the whole tattoo in a shot, so she offered up this piece on her right arm:

Stacy is a poet and the Artistic Director of The Poetry Project at St. Mark's Church in New York City. She has been here five years and originally hails from Milwaukee.

Living next to Lake Michigan has many benefits. Having always lived in a location near a large body of water, I can relate to her admiration for the beauty of a seascape, whether it be an ocean or a great lake.

Stacy told me she enjoyed watching the tugboats in her home town, and that these small vessels are a "connective image" that draws her back to her original home.

This tattoo was designed and inked by Stephanie Tamez at New York Adorned. Work from Stephanie on Tattoosday can be viewed here.

This is also the second tugboat of the summer. The first one is here.

Thanks to Stacy for sharing her tugboat with us here at Tattoosday. Perhaps we'll see her panther when the Tattooed Poets Project returns next April for its third year!

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Simona's Scripted Ink

I met Simona in Park Slope, Brooklyn, back at the end of July. At the corner of Prospect Avenue and Prospect Park West, just outside of the Holy Name Church.

Simona had an unusual script around her right bicep:

This is written in Tengwar, a script created by J.R.R. Tolkien to represent the Elvish tongue. The text displayed here is the beginning of Aragorn's coronation speech in The Lord of The Rings trilogy.

The line displayed is "Et E�rello Endorenna ut�lien," which means "Out of the Great Sea to Middle-earth I am come".

This tattoo was inked by one of the best tattooers of script around, Stephanie Tamez at New York Adorned. Work from Stephanie has appeared previously on Tattoosday here.

Simona also had this on her inner left forearm:

That is Hebrew for "chai" or "life".

She placed the tattoo there because that is where Jews who were interned during the Holocaust had been tattooed by the Nazis. It's tattooed there as an expression of solidarity with her faith and, as a reminder to never forget the horror that was the Holocaust.

Thanks to Simona for sharing her tattoos with us here on Tattoosday!

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Under One Small Star - Two Tattoos from Anna

I met Anna earlier this month in Penn Station. I felt compelled to stop her when she walked by and I caught a glimpse of this amazing tattoo:

I love seeing ink that is new and original, and I had never seen a line of anything run up the length of a leg like this.

Anna explained that this was a line of poetry that reads "My apologies to time for all the world I overlook each second" that she heard on a trip to Cambodia. Her group leader, Jan, had shared the poem, "Under One Small Star" by Polish Nobel Laureate Wislawa Szymborska, and the verse meant a lot to her during her trip there. This one specific line really resounded with her, so she first "paid a Khmer translation site and then had a friend [she] made in Cambodia, Ponheary, check the translation just to make sure it was correct".

I love the international flavor of this tattoo - a poem originally in Polish, translated to English, then re-translated to Khmer, transcribed in flesh in America!

The line runs from top to bottom and was inked by Jason at Powerhouse Tattoo Company in Montclair, New Jersey.

The poem is reprinted in its entirety at the end of this post.

Since it is Tat-Tuesday, let's look at a second tattoo from Anna, this one on the back side of her right arm:

This is Joan of Arc, "a hero of mine," says Anna, who admires her from the feminist perspective and finds her an "unbelievably inspirational" historical figure.

This piece was tattooed by the wonderful Stephanie Tamez at New York Adorned. Stephanie's work has appeared previously on Tattoosday here.

Thanks again to Anna for sharing these two of her seven tattoos with us here on Tattoosday!

Under One Small Star

My apologies to chance for calling it necessity.
My apologies to necessity if I'm mistaken, after all.
Please, don't be angry, happiness, that I take you as my due.
May my dead be patient with the way my memories fade.
My apologies to time for all the world I overlook each second.
My apologies to past loves for thinking that the latest is the first.
Forgive me, distant wars, for bringing flowers home.
Forgive me, open wounds, for pricking my finger.
I apologize for my record of minuets to those who cry from the depths.
I apologize to those who wait in railway stations for being asleep
today at five a.m.
Pardon me, hounded hope, for laughing from time to time.
Pardon me, deserts, that I don't rush to you bearing a spoonful of water.
And you, falcon, unchanging year after year, always in the same cage,
your gaze always fixed on the same point in space,
forgive me, even if it turns out you were stuffed.
My apologies to the felled tree for the table's four legs.
My apologies to great questions for small answers.
Truth, please don't pay me much attention.
Dignity, please be magnanimous.
Bear with me, O mystery of existence, as I pluck the occasional thread
from your train.
Soul, don't take offense that I've only got you now and then.
My apologies to everything that I can't be everywhere at once.
My apologies to everyone that I can't be each woman and each man.
I know I won't be justified as long as I live,
since I myself stand in my own way.
Don't bear me ill will, speech, that I borrow weighty words,
then labor heavily so that they may seem light.

--Wislawa Szymborska

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Elizabeth's Alphabetical Ink

Imagine me in Penn Station. I see a woman with a small letter tattooed on her. Interesting. Then I notice that she has them everywhere, in no apparent order, on her legs, on her arms, on the back of her neck. Not something you see every day. I had to ask her about them, and Elizabeth was kind to indulge my curiosity.

Elizabeth is a typographer, by profession, and she works with letters as part of her trade. Over the course of three years, she had the entire alphabet tattooed, two or three letters at a time, all over her body.

Here's the one photo I took that captured two letters in one frame:


I asked her if she went in alphabetical order and she told me she hadn't. Whatever letters she was working on at the time, she would have inked. In other words, she'd head into New York Adorned for her appointment with Stephanie Tamez, and whatever was at the forefront of her consciousness, that's what she had tattooed.

I was familiar with Stephanie Tamez for, most recently, this tattoo on the writer Eileen Myles. So I sent Stephanie an email and asked her to comment on this particular twenty-six part tattoo.

Stephanie wrote:

"I...remember the alphabet on Elizabeth, she is sweet and lovely as well. As you may or may not know I have had a reputation for tattooing many a letter, many a word, many a sentence and many a paragraph. I bet I have in all filled a few novels. Ha. Anyway from what I can recall with Elizabeth, it was very simple and fun and straight forward. I have done several alphabets throughout the years on mostly graphic designers who are captivated by fonts. I have done words on graphic designers from France to Mexico and done many a word on many a writer. I wish I could remember them all and had been logging all their tales..."

Elizabeth had also mentioned to me that she was meeting with Ina Saltz, an art director, designer, writer, photographer and professor at City College of New York. Unbeknownst to me at the time, Ms. Saltz had written a book called Body Type, which is a study of typographic tattoos.

Having since read the book (highly recommended to all), I related to Ms. Saltz's quest, that began with a chance spotting of a word tattoo on a crosstown bus several years ago. Of course, I have featured numerous word tattoos over the past couple of years, but Body Type's chronicling of the vast array of typographic tattoos is certainly entertaining to anyone who appreciates the art. In fact, Ms. Saltz goes out of her way to acknowledge Stephanie Tamez as one of the premier word tattooists. In all fairness to Ms. Tamez, one look at her website will reveal that, although she is acknowledged as a skilled tattooer of words, her skills and artistry go far beyond the inking of letters!

Anyway, back to Elizabeth, who followed up our encounter with an e-mail discussing the font she used for her tattoos, but also with (per my request) an alphabetical catalog of all her letters:

My tattoos are in Garamond (for the real font nerds out there, it's a few different cuts, mostly Garamond 3 and Stempel Garamond, a couple are in Adobe Garamond). I'm a typographer and I've always loved Garamond � the first Roman font to be used on Gutenberg's press. The typeface has been in existence since 1530, and still embodies so much of what we perceive as 'perfect' in letterforms today. Yes, they're all in lower case. No plans for capitals, or punctuation...no plans for any more tattoos, in fact.

Below is the catalog of letters. although I will say I didn't get them in alphabetical order, and I got them slowly over a few years. It was usually whatever letters I was drawing a lot at the time, or thinking about.

a: front-facing left shoulder
b: left thigh
c: inside left arm
d: right upper right arm/bicep
e: sternum
f: right calf
g: inside right wrist
h: inside right calf
i: inside left thigh, just above knee
j: inside left wrist
k: left upper left arm/bicep
l: left forearm
m: right forearm
n: collarbone
o: inside right bicep
p: inside right thigh
q: nape of neck [pictured]
r: top of right shoulder
s: top of right foot
t: left shin
u: back
v: back
w: back
x: shoulder blade
y: left calf
z: behind left ear [pictured]

Thanks to Elizabeth for her cooperation and participation here on Tattoosday. Also, much thanks to Stephanie Tamez (see her official website here) for her chiming in on the experience.

Do look into Body Type, as well. It's a lovely book indeed.

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