The Tattooed Poets Project: Daphne Lazarus

Today's tattoo takes my breath away.

The work comes to us from Daphne Lazarus, who does not have the extensive poetry credits that many of our other contributors have, but does write poems. She heard about the Tattooed Poets Project via Theresa Edwards (day 1 of this year's project), editor of Holly Rose Review, an online poetry/tattoo publication in which her work has appeared.

But let's just take a look at the photo Daphne sent, shall we?


The first thing I would recommend is to click on the photo to see it enlarged. Daphne did want me to acknowledge the photographer Irvin Tan at Monochrome Meese Photography. The amazing artist behind this phenomenal back piece is Shane Tan. Clicking his name will take you to the site where you can see several more photos of this work, as it was being created.

With a piece like this, as Daphne put it, the work "speaks for itself". Agreed, but I did seek clarification on the piece at the top on her neck:


This is a traditional Thai tattoo, sak yant, also known as yantra tattooing, which serves as an emblem of protection. The whole work took place over numerous sittings in a one and a half month time span. "Sometimes I had to work the next day," Daphne told me, "it was...a hell of an experience but it marked a milestone in my life. So worth it." Indeed. We are fortunate to have such amazing work displayed here on Tattoosday.

Daphne was born in Singapore. She received her BA (Hons) in Arts Management from LASALLE College of the Arts in Singapore in 2009. She has curated several contemporary art exhibitions featuring emerging Singaporean artists and an exhibition featuring art works of pioneer Singapore artists from a permanent collection of an art institution. Daphne writes for a tattoo website at www.horinaka.com in collaboration with tattoo artist Shane Tan. She was also one of the event organizers for Singapore�s first body suspension show in conjunction with the first tattoo convention in Singapore.

Daphne�s passion lies in writing about art and tattoo culture and has several articles featured in several contemporary art publications. She has also written a thesis on tattoos for her undergraduate study. She will be pursuing a Master�s in Art History at the School of Oriental and African Studies (SOAS) at the University of London.

Daphne is not a poet by profession, but she uses it as a tool for catharsis. She has published literary works mostly in contemporary art journals and aspires to be an art writer and art historian.

Check out one of her poems over on BillyBlog here.

Thanks again to Daphne for sharing her back piece with us here on Tattoosday!

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The Tattooed Poets Project: Brendan Constantine

One of the more satisfying aspects of this year's Tattooed Poets Project has been completing posts for poets who first contacted me in 2009 during our inaugural year of the endeavor.

In Brendan Constantine's first e-mail to me, back in February 2009, he mentioned being "extensively tattooed," a fact that, over the last thirteen months, escaped me. Brendan and I have stayed in touch, and he was finally able to send me a photo last night of one of his tattoos. I was surprised to see this amazing back piece:

Photos by Shawn Burkley

Brendan explains how this work came into existence:

"In 1994 I went to an retrospective of legendary Japanese artist, Kawanabe Kyosai, at the National Gallery in London. Known as the �Demon of Painting,� Kyosai was among the very first artists in his country to bring western techniques to bear upon traditional themes, a move which earned him much criticism. I was transfixed by his work and came home with a huge book of his prints. Artist, Kirby White, then with Yoni Tattoo in the San Fernando Valley, shared my enthusiasm for this unique painter and said, �I would kill to work in this style!�

Unfortunately, halfway through the process, Kirby began to experience chronic back pain which ultimately kept her from finishing the piece. Nevertheless, I asked that she sign it, something few if any people allow artist�s to do. I know the work is supposed to be its own signature, but I wanted the piece to bear Kirby�s mark the same as if it had been rendered on rice paper.

Photos by Shawn Burkley

About two years later I met artist Sung Song at Pure Tattoo in Los Angeles (he has since moved on, now at Unbreakable Tattoo in Studio City) and discovered he was also devoted to the work of Kyosai . I showed him where Kirby left off and he enthusiastically finished the job, adding his own improvisations while respecting Kirby�s work. The piece now bears both their idiographic signatures as part of the design. I�m a happy gallery!"

Photos by Shawn Burkley

Thanks to Brendan for sharing this amazing work!

Please be sure to head over to BillyBlog to read one of his poems here.

Brendan Constantine is a poet based in Los Angeles. His work has appeared in numerous journals, notably Ploughshares, Ninth Letter,The Cortland Review & RUNES. His book, Letters To Guns, was released in 2009 from Red Hen Press. He is currently poet in residence at The Windward School and Loyola Marymount University Extension.

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Danny's Incredible Tattoos

On occasion, I will wander from 7th Avenue to 8th Avenue, through the campus of F.I.T., hoping to spot some creative work. One of my first posts (documented here) featured tattoos from someone I met on that stretch of street.

Last month, I ran into Danny, who had several very nice tattoos.

First I took a picture of this hannya mask on his right forearm:


Then I snapped this photo of the tattoo above his right wrist:


This metal-plated heart represents Danny's emotional toughness, with a trace of sensitivity. In his words, "even if my heart is dead, it will still bleed".

I also took a photo of Danny's knuckles, which I wanted to post up on Knuckletattoos.com. However, since they're working on a six-month backlog, I thought I'd spare them the extra post and just share these here:


They read, of course, "HATE PAIN". This just represents what Danny was going through at the time he had his digits inked.

Initially, he had told me his back was done, but I didn't press him to show me the work. By the time I had taken pictures of his knuckles, I guess he felt comfortable enough to share this truly remarkable back piece:


All of his work was done by Thailand Mike at Scratch Tattoo in Elmhurst, Queens. He initially went to Mike for a cover-up on his back, providing just the central part of the design...


Danny visited from time to time for over a year, having elements of the back filled in. The demon head at the top of the back is particularly cool


and the dragon hovering above the wasitline is also impressive:


I rarely get to feature back pieces, as they have to be offered up by generous contributors, so when I see one, I am seldom disappointed.

Thanks again to Danny for sharing so much of his work with us here on Tattoosday!

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Daniel's Back Piece Begins...

In my previous post, I described meeting Daniel and Katte. And, although Katte's work was what initially prompted me to stop the couple, Daniel offered up the bigger surprise.

I have yet to come up with a term for the phenomenon, but anyone who responds to an inquiry about a visible tattoo with an unprompted unveiling of a covered one, earns a place in Tattoosday lore.

(See some memorable examples here, here, here, and here).

Daniel lifted up his shirt to reveal "the start of a back piece":


He went to Chuck at Broken Heart Tattoos in Keyport, New Jersey, with a general outline and gave the artist the "freedom to shade and color" as he saw fit. Three sessions and nine hours later, Daniel had this kick-ass skull on his back to anchor what will eventually be a much larger piece.

Thanks to Daniel for sharing this awesome tattoo with us here on Tattoosday!

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