Rilke On the Flesh

It's February 1, which means we are only two months away from the start of a new edition of The Tattooed Poets Project, and I have begun assembling the first posts for this annual extravaganza.

What better way to acknowledge this looming event, but to post a poetic tattoo?

The following piece is one that I spotted at the end of last summer on Penn Plaza. Belonging to a young lady named Rosa, it has been one of my few remaining 2010 leftovers:

What I noticed first was not that this was a line of verse, but that it was placed on the body in an unusual way. Most lines of poetry, when manifested on flesh, are on the arms and wrist, or the lower legs and occasionally a back. This tattoo runs from the front of to her back, vertically climbing and descending from her shoulder.

The line is in German, and represents a piece from Rainier Maria Rilke's Duino Elegies.

Ein jeder Engel ist schrecklich

Or, in context:

Who, if I cried out, would hear me among the angels�
Hierarchies? and even if one of them pressed me
suddenly against his heart: I would be consumed
in that overwhelming existence. For beauty is nothing
but the beginning of terror, which we still are just able to endure,
and we are so awed because it serenely disdains
to annihilate us. Every angel is terrifying.

 Those are the opening lines of the first elegy, translated by Stephen Mitchell.

Rosa didn't give me much insight as to why she had the line tattooed, but it is quite a powerful statement.

When I asked her who the artists was, she replied only that it was someone in Brooklyn that went under the name "The Milk Maid". This sounded familiar at the time, but I couldn't quite put my finger on it. Of course, I came to be reminded that The Milk Maid is the moniker of Joy Rumore, at Twelve 28 Tattoo, quite a wonderful artist, whose work has appeared previously on Tattoosday here.

Thanks to Rosa for sharing this lovely line of verse with us here on Tattoosday!

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Jack Kerouac Back

This is an orphan post, what I refer to as a photo with no real story attached to it, as the individual who let me take the photo, never e-mailed me with any further details.

I shot the picture at the end of the Brooklyn Cyclones-Staten Island Yankees game at MCU Park in Coney Island.

The crowd was filing out, so a protracted conversation was not an option.

The woman who belongs to this tattoo, however, did allow me to take the photo and said it was a quote from Jack Kerouac's On the Road.

It's a slightly modified version of this phenomenal passage:

�The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!�

If you're reading this, Dear Contributor, please accept my thanks for allowing us to enjoy your tattoo here on Tattoosday, but contact me, please, to tell us more.

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Sarah Channels Emma Goldman

I recently had the intense displeasure of discovering that my camera had broken. For someone whose spare time is spent taking pictures of other people's tattoos, this was a harrowing experience, especially since my BlackBerry's camera is flash-less and takes good pictures under only specific lighting conditions.

So what's a poor inkspotter to do? Pass out his card and hope for the best.

And despite dozens of cards distributed to many people with cool tattoos, the only one who has really come through for me is Sarah, who I met last Friday on the subway platform at West Fourth Street, as I waited for the D train to Brooklyn.

Possessor of several tattoos, the one of Sarah's I spotted was on her inner left forearm. My photo was blurry and, as the D pulled into West Fourth, she handed me her card so I could follow-up with her. Thankfully, she is a woman of her word, and sent me this photo yesterday:

Since Sarah is a writer and journalist, I'll let her do the talking. You can check out her work at  her website ohyouprettythings.net and/or read her blog at champagnecandy.tumblr.com. Sarah explains:

It says "It's not my revolution if I can't dance to it"

The tattoo is my most recent, and it's a paraphrase of a possibly-apocryphal Emma Goldman quotation. It's a line that spoke to me the first time I heard it. I'm a political journalist and a feminist activist, and Goldman's always been someone I looked up to. Also, I became a political person through music, and dancing and music have a particular significance for me.


It was done by Ryoko at Brooklyn Tattoo [who we most recently saw inked Julie Powell's tattoo here] and she's super-awesome...

As a lover of type tattoos, I had inquired about the font used and Sarah did not disappoint: "the font is Garton and the words revolution and dance are in Miama".

Thanks to Sarah for sharing her tattoo with us here on Tattoosday!

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Kat's Mucha Tattoo, With a Twist of Lemony Snicket

At 31st Street and 7th Avenue, I stopped Kat to ask about her ink.

She was happy to see me and had been wondering, having previously read Tattoosday and knowing she worked in the same area as I did, if our paths would ever cross.

She has seven tattoos (and a cool blog here), but we focused on the large tattoo on her upper right arm:

 Or, looking at it as a whole:

The art is based on the work of Alphonse Mucha, who has inspired a couple of other tattoos appearing previously on Tattoosday here and here.

If that second link looks familiar, it is because both Kat's tattoo and Delissa's are inspired by the same work, "Monaco".

 

Kat's tattoo is interpreted a little differently, translated with brighter colors, which, in Kat's words, were "amped up to be on my arm".

The plan is eventually for this tattoo to expand to be a half-sleeve.

The phrase "the world is quiet here" is a nod to a motto for a secret organization known as V.F.D. in A Series of Unfortunate Eventsby Lemony Snicket. These books are favorites among Kat's list of much-loved titles.

Her work was created by the artist Joy Rumore at Twelve 28 Tattoo in Brooklyn.

Kind thanks to Kat for sharing her work with us here on Tattoosday!

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The Tattooed Poets Project: Jeff Simpson

Today's tattooed poet found us by way of Adam Deutsch. Jeff Simpson offers up this cool arm tattoo:


Jeff, a tattooed poet from Oklahoma tells us:

I started reading Horace in grad school and soon grew to be a fan of the odes. The quote, pulvis et umbra sumus�taken from the ode to Torquatus�is commonly translated as, �We are dust and shadows,� but I prefer David Ferry�s version: �we�re nothing but dust, we�re nothing but shadows.� The line offers such a blunt beauty to our mortality, I thought it would serve as a good defense against procrastination, etc. The tattoo was done by David Bruehl at Think Ink Tattoos in Norman, OK. David is an incredible artist. I basically gave him the quote, said I dig skulls, and he nailed the design on the first sketch. This was my first tattoo (I was a late bloomer), and I couldn�t be happier with the outcome. I�ve already booked another session to start working on a sleeve.

Head over to BillyBlog and read one of Jeff's poems here.

Born and raised in southwest Oklahoma, Jeff Simpson received his MFA from Oklahoma State University in 2009. He is the founder and managing editor of The Fiddleback, an online arts & literature journal that will launch its first issue later this year. His poems have recently appeared or are forthcoming in Prairie Schooner, Copper Nickel, Harpur Palate, The Pinch, and H_NGM_N. His first full-length collection, Vertical Hold, will be published by Steel Toe Books in 2011.

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The Tattooed Poets Project: Lea Banks

Today's tattooed poet is Lea Banks.

Lea sent along several photos of her work, so let's not waste any time checking out her ink.

Descriptions from Lea follow each photo.

"Vita Nuova" was the first tattoo celebrating my divorce, my new life. I was deep into Dante, especially the Purgatorio. I had read three translations and was taking a break when someone gave me La Vita Nuova. The thirty poems fascinated me --- they were so personal, an autobiographical narrative in which Dante wove a web of romance and emotion. Such spiritual inspiration was integral at that time! I was interspersing Dante with Emily Dickinson then and I had the same artist at Mom�s Tattoo Studio in Keene, NH do the tattoo on my right shoulder. You know � �Tell all the truth but tell it slant.� I still felt I was contained lightning from the wreckage of my marriage; wanting to tell the truth in my poetry but having a hard time with it. So this was the design I came up with. I�m actually thinking of having the lightning go outside the circle � I am NOT contained anymore!

Tell all the Truth but tell it slant

Emily Dickinson

Tell all the Truth but tell it slant---
Success in Cirrcuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightening to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind---

...Done in 2004, [this tattoo] was my version of a design from the Book of Kells, an Irish manuscript containing the Four Gospels. My daughter and I were visiting England and were staying at a B&B in Glastonbury. One day, she decided to climb the green hill of the Tor, crowned with the tower dominating the town and the surrounding landscape. I had to sit it out because my foot was giving me trouble. My foot at that time had undergone four surgeries. I picked up a book showing illustrations from the Book of Kells. I dreamt of this dragonfly tattoo on the plane ride back and took my vision to a tattoo artist at Blackbear Tattoo & Jewelery Company in Brattleboro, VT. I was very pleased with the result: three dragonflies facing different directions signifying healing movement for my foot. Although I had a fifth surgery, I started walking again and even running. I promised Sarah that we�d return and climb the Tor together.

And my personal favorite...

The fourth tattoo on my left bicep, done by Pygmalion�s Tattoo in Greenfield, MA, is a quote by William Carlos Williams, �Nothing whips my blood like verse.� I had it done right before the AWP conference in Chicago and bore it proudly. The whip that winds throughout the quote was a flourish done by the artist. I ran into a friend who was a W.C. Williams scholar and he said he had never heard it attributed it to Williams! I swear it was in a book or on the web and if anyone can tell me different, please do.

Good news, Lea, I found reference to it in The Selected Letters of William Carlos Williams (1957).

Please be sure to check out one of Lea's poems over on BillyBlog here.

Lea Banks lives in Western Massachusetts. She is the author of the chapbook All of Me, (Booksmyth Press, 2008). She was a finalist for The Pavel Srut Fellowship in Prague and had two poems nominated for the 2009 Pushcart Prize. Banks is the founder of the nationally-known Collected Poets Series in Shelburne Falls, MA and editor of Oscillation: Poetry in Motion. She was the former poetry editor of The Equinox and editorial assistant for the Marlboro Review. She attended New England College�s MFA program, facilitated stroke survivors� writing workshops, and is a full-time poet, community organizer, freelance editor and writer. Banks has published in several journals including Poetry Northwest, Slipstream, Diner, and American Poetry Journal. See more here: www.leabanks.com.

Thanks again to Lea for sharing her tattoos with us here on Tattoosday!

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Behold, Quadrapus!

I met Colleen on Penn Plaza and her ankle tattoo jumped out at me from a distance. It was so unusual, I just had to stop and ask her about it.

Behold: Quadrapus!


If this four-limbed octopus-like creature looks fanciful, it's because it is based on a child's beach toy used to mold sand shapes.

Colleen explains that she and about twenty of her friends all got this same tattoo, but in different colors, to commemorate their summer where a majority of time was spent at the beach. There was a house involved, which was the epicenter of activity, and the plastic octopus beach toys were on the walls, used as decor. "Quadrapus" became a symbol and mascot for a memorable season.

This was inked by Josh at Broken Heart Tattoo in Keyport, New Jersey. Coincidentally, a tattoo from Broken Heart appeared just this past Saturday here on Tattoosday.

Incidentally, Collen has seven other tattoos, and I couldn't resist snapping a shot of this literary ink:


The quote "You are not a beautiful and unique snowflake " is from the seminal first novel Chuck Palahniuk novel Fight Club. Tyler Durden's character states:

"You are not a beautiful and unique snowflake. You are the same decaying organic matter as everyone else, and we are all a part of the same compost pile."

Palahniuk is her favorite author and she loves the meaning behind this quote, from a passage where the speaker is questioning the notion of individuality. Deep down, Collen explained, he's saying we're all the same, that no one is as special as they think they are. Juxtaposed with the snowflake, the symbol of uniqueness, this tattoo makes a bold statement.

Check out a couple other Palahniuk literary tattoos here over on the awesome site dedicated to literary ink, Contrariwise.

This was inked at Silk City Tattoo in Hawthorne, New Jersey by Chi Chi Gunz. Work from Silk City is New Jersey has appeared previously on Tattoosday here.

Thanks to Colleen for sharing her fun and interesting tattoos with us here on Tattoosday!

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