Rilke On the Flesh

It's February 1, which means we are only two months away from the start of a new edition of The Tattooed Poets Project, and I have begun assembling the first posts for this annual extravaganza.

What better way to acknowledge this looming event, but to post a poetic tattoo?

The following piece is one that I spotted at the end of last summer on Penn Plaza. Belonging to a young lady named Rosa, it has been one of my few remaining 2010 leftovers:

What I noticed first was not that this was a line of verse, but that it was placed on the body in an unusual way. Most lines of poetry, when manifested on flesh, are on the arms and wrist, or the lower legs and occasionally a back. This tattoo runs from the front of to her back, vertically climbing and descending from her shoulder.

The line is in German, and represents a piece from Rainier Maria Rilke's Duino Elegies.

Ein jeder Engel ist schrecklich

Or, in context:

Who, if I cried out, would hear me among the angels�
Hierarchies? and even if one of them pressed me
suddenly against his heart: I would be consumed
in that overwhelming existence. For beauty is nothing
but the beginning of terror, which we still are just able to endure,
and we are so awed because it serenely disdains
to annihilate us. Every angel is terrifying.

 Those are the opening lines of the first elegy, translated by Stephen Mitchell.

Rosa didn't give me much insight as to why she had the line tattooed, but it is quite a powerful statement.

When I asked her who the artists was, she replied only that it was someone in Brooklyn that went under the name "The Milk Maid". This sounded familiar at the time, but I couldn't quite put my finger on it. Of course, I came to be reminded that The Milk Maid is the moniker of Joy Rumore, at Twelve 28 Tattoo, quite a wonderful artist, whose work has appeared previously on Tattoosday here.

Thanks to Rosa for sharing this lovely line of verse with us here on Tattoosday!

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The Tattoosday Book Review: The Word Made Flesh

If you're looking for an awesome gift for an ink-loving special someone this holiday season, and you can't afford a budget-buster like Marisa Kakoulas' Black & Grey Tattoo, I'd strongly recommend The Word Made Flesh: Literary Tattoos from Bookworms Worldwide.

As a lover of both literature and tattoos, The Word Made Flesh is right up my alley and, judging by the long-standing interest in sites like Contrariwise, should be an enjoyable read for many.

Last year, it seems, when I first posted (here) about Eve Talmadge's call for submissions, I was a bit jealous in a why-didn't-I-think-of-doing-that sort of way. But I quickly got over the inkblogger envy and waited with anticipation to see how this would turn out.

The answer: pretty darn good.

The Word Made Flesh, as the subtitle describes, juxtaposes photos of tattoos of a literary flavor, with blurbs from the contributors. There is poetry and prose, as well as more symbolic imagery to represent specific themes.

Compiled by editors Eve Talmadge and Justin Taylor, the reader is treated to a nice range of work, with a handy appendix which gives, when possible, credit to the artists and/or shops where the tattoos were inked.

I wondered, when starting the book, if I would see any tattoos that had appeared on Tattoosday. Sure enough, page 117 features a pair of alphabetic ankle tattoos, one of which appeared in this past year's Tattooed Poet's Project, here. To counteract that, there are two subjects who declined to participate in the same project.

The range of photos and stories is done quite well. We also get a snapshot of Shelley Jackson's Skin Project, and a lovely piece belonging to Katherine Barthelme, accompanied by an apropos story by her father, the late Donald Barthelme. Plus, amazing work like this:

�2010 Eva Talmadge & Justin Taylor

There is something for everyone here, unless of course, you're a barbarian and have never read a book in your life.

I heartily recommend this title and at a list price of  $14.99, it won't break the bank.

There's a slide show here, over at The Daily Beast.

You can read and see more, as well as hear how to submit for a possible sequel, at www.tattoolit.com. I also recommend visiting contrariwise.com, as well as checking out the Tattooed Poets Project index, which links all the tattooed poets who have appeared here the last two years.

You can buy the book here:

And, as for what's next from the editors, a recent email from the editor's says it all:

"I'm happy to announce that we are now collecting images of music-related tattoos for our next book. Song lyrics, band logos, record labels, musician portraits, you name it -- if it's in your skin and has to do with a musician, song or band, we want to put it in a book. Pass the word, tell your friends. Here's the fine print:

THE WORDS TO EVERY SONG: Music Tattoos from Around the Globe (working title, suggestions welcome), edited by Eva Talmadge.

Submissions now open for high-quality photographs of all kinds of music related tattoo work: band logos, song lyrics, record labels, musician portraits -- if it's a tattoo inspired by music and it's on your body, we want to see it!

We're looking for a wide range of genres and eras -- from classical to rock'n'roll to hip hop, punk rock, indie and soul -- if you ever loved a song or a band or a musician so much you went to a tattoo shop and made your devotion permanent, we want to know about it!

As with THE WORD MADE FLESH, we don't want just the images. We also want a few words from you about why you got your tattoo, what that music means or has meant to you, and any anecdotes involved. How much (or how little) you choose to say about your tattoo is up to you, but a paragraph or two should do the trick.

And of course please do provide us with tattoo artist/shop credit, photographer credit, your name or pseudonym, the city and state or country where you live, and the name of the band or song or composer your tattoo refers to (even if it's obvious).

Deadline for the first round is 12/31

Please send clear digital images of the highest quality possible to tattoolit@gmail.com. Images should be around 2000 pixels across, or a minimum 300 dpi at 5 inches wide, but if you're not sure about all the technical stuff, just set your camera to its highest resolution and send the best photo you can. Text should be included in the body of the email, not as an attached document. Also be sure to include one or more pieces of contact information, so we can let you know if you�re going to be in the book.

And finally, we are indeed still collecting literary tattoos for the tumblr blog, http://tattoolit.com. If you have a literary tattoo and want the world to see it, please do e-mail it to us at tattoolit@gmail.com, or submit it directly (as an image, not text) to http://tattoolit.com.

And, of course, I'd be remiss if I didn't direct people here and here, the tags that link all the literary tattoos that have appeared here on Tattoosday.

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Jack Kerouac Back

This is an orphan post, what I refer to as a photo with no real story attached to it, as the individual who let me take the photo, never e-mailed me with any further details.

I shot the picture at the end of the Brooklyn Cyclones-Staten Island Yankees game at MCU Park in Coney Island.

The crowd was filing out, so a protracted conversation was not an option.

The woman who belongs to this tattoo, however, did allow me to take the photo and said it was a quote from Jack Kerouac's On the Road.

It's a slightly modified version of this phenomenal passage:

�The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!�

If you're reading this, Dear Contributor, please accept my thanks for allowing us to enjoy your tattoo here on Tattoosday, but contact me, please, to tell us more.

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Kat's Mucha Tattoo, With a Twist of Lemony Snicket

At 31st Street and 7th Avenue, I stopped Kat to ask about her ink.

She was happy to see me and had been wondering, having previously read Tattoosday and knowing she worked in the same area as I did, if our paths would ever cross.

She has seven tattoos (and a cool blog here), but we focused on the large tattoo on her upper right arm:

 Or, looking at it as a whole:

The art is based on the work of Alphonse Mucha, who has inspired a couple of other tattoos appearing previously on Tattoosday here and here.

If that second link looks familiar, it is because both Kat's tattoo and Delissa's are inspired by the same work, "Monaco".

 

Kat's tattoo is interpreted a little differently, translated with brighter colors, which, in Kat's words, were "amped up to be on my arm".

The plan is eventually for this tattoo to expand to be a half-sleeve.

The phrase "the world is quiet here" is a nod to a motto for a secret organization known as V.F.D. in A Series of Unfortunate Eventsby Lemony Snicket. These books are favorites among Kat's list of much-loved titles.

Her work was created by the artist Joy Rumore at Twelve 28 Tattoo in Brooklyn.

Kind thanks to Kat for sharing her work with us here on Tattoosday!

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Cenk's Skeleton Tattoo Pays Homage to Yukio Mishima and St. Sebastian

I met Cenk where I meet so many Tattoosday volunteers, outside of Penn Station on the plaza adjacent to Madison Square Garden.

He shared this, one of his four tattoos:

This is an interpretation of the depiction of St. Sebastian, as seen by the Japanese author Yukio Mishima, one of Cenk's favorite writers. A variation of the St. Sebastian imagery graced one of the many covers of Mishima's Confessions of a Mask:


Mishima even posed for a publicity photo as the martyred St. Sebastian:


This piece was tattooed by Myles Karr at Saved Tattoo in Brooklyn. According to his website, he has since left Saved, and opened Three Kings Tattoo Parlor. Mr. Karr's work has appeared previously on Tattoosday here and here.


Thanks to Cenk for sharing this tattoo with us here on Tattoosday!

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Alexandra's Tattoo Asks "Whoooo ... Are ... You?"

I was walking through Penn Statiom in late August, when I stopped dead in my tracks after spotting this tattoo on the upper right section of Alexandra's back:


Tattoos are interesting to me, to begin with, but when they illustrate a work of literature, I am pleased to no end, even if the work in question is not necessarily one of my favorites.

One need not have read Lewis Carroll's classic Alice's Adventures in Wonderland to recognize that this tattoo is based on that seminal work.

Initially, Alexandra shared a bit with me. She just moved to New York from Orlando, and is a big fan of literature, in general. She is "infatuated" with the story of Alice, and the "trippy, unique" universe of Lewis Carroll.

The scene depicted is Alice's encounter with the caterpillar, from the Disney movie, Alice in Wonderland. The caterpillar asks Alice, "Whooo ... are ... you?" This could be an innocent question, but Alexandra notes that this is also a basic philosophical question about humans, in general. Thus, the "W" formed by the smoke from the caterpillar's hookah, represents that seminal question, "Who....?"



In the weeks since I met her, Alexandra has become a fan of Tattoosday, and has shared more, including some photos of the tattoo in progress. She also elaborated a bit more about the whole experience of getting this, her first tattoo.

She directed me to this link here, where she blogs about her tattoo. She added to this, by telling me, via e-mail:

"I was actually scheduled to go and get the tattoo with another popular artist in the [Orlando] area, and was with a group of friends, one whom wanted to get her tattoo touched up. The artist I was trying to work with gave me a bit of the brush off, so we were told to come back later. So we headed down the road and found Fine Ink Studios. Barnett, the owner, had literally set up shop just 5 days prior. While my friend Ashlie was asking about her Fleur de Lys tattoo, Barnett had asked what I was going to leave to get. I told him about the caterpillar, and as professional as possible he told me, "Just so you know, I'd reeeeeally love to do that for you." I went back to the other store, something went wrong, and I decided to leave and go back to Barnett! Happy days, it turns out Barnett had ALSO been employed by Disney and actually had worked on the animation for the film Aladdin. That really sold me, and it was such an amazing 2 and a half hours. I spent the entire time singing Disney songs as loud as I could to get through the pain :)"

Thanks much to Alexandra for sharing so much about the tattoo. Welcome to the Tattoosday family!

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Call for Submissions - Literary Tattoos

THE REST IS SILENCE:

Literary Tattoos from Bookworms Worldwide

Edited by Eva Talmadge and Justin Taylor


CALL FOR SUBMISSIONS! We are seeking high quality photographs of your literary tattoos for an upcoming book. Send us your ink! Submissions are open to all kinds of literary tattoo work: quotations from your favorite writer, opening lines of novels, lines of verse, literary portraits or illustrations. From Shakespeare to Bukowski to The Little Prince in a Baobab tree, if it's a literary tattoo and its on your body, we want to see it.

All images must include the name (or pseudonym) of the tattoo bearer, city and state or country, and a transcription of the text itself, along with its source. For portraits or illustrations, please include the name of the author or book on which it's based. We'd also like to read a few words about the tattoo's meaning to you -- why you chose it, when you first read that poem or book, or how its meaning has evolved over time. How much (or how little) you choose to say about your tattoo is up to you, but a paragraph or two should do the trick.

Please send clear digital images of the highest print quality possible to tattoolit@gmail.com. Pixel resolutions should be at least 1500 x 1200, or a minimum 300 dpi at 5 inches wide. Text should be included in the body of the email, not as an attached document. Also be sure to include one or more pieces of contact information, so we can let you know if you're going to be in the book.

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High Culture Vs. Low Culture: Two of Sam's Tattoos

Sam has seven tattoos, but it was this one that first caught my eye:


Yes, that is an exclamation point (!) on the back of her neck and head, inked by Mony at Body Graphics Tattoo in Philadelphia.

So why an exclamation point? Sam explained that, in the video game Metal Gear Solid on the Nintendo System, an exclamation point appeared over a character's head when he was spotted by a villain. The programming was very basic, so when the technology developed to improve on the (!) appearing over the head, the makers of the game kept the symbol, and it became
somewhat camp.

Sam remarked that her nod to "low culture" is offset by this tattoo which is on her outer right arm:


I recognized the insignia immediately, having read Thomas Pynchon's The Crying of Lot 49 in college. Sam reminded me that this symbol is that of the muted post-horn, a key plot element in the novel.


This is her "high culture" tattoo to complement her video game punctuation mark.

Thanks again to Sam for sharing her interesting tattoos with us here on Tattoosday!

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