John's Root People

At the end of July, I coincidentally exited the A train at 14th Street at the same time as John, who was visiting from Nevada.

I had been admiring his sleeve on the train, but didn't have the opportunity to speak to him about it until after he got off the subway.

He referred to these creatures as "Root People":

It's an abstract collaboration with the artist, Rickett, at The Ruby Lantern in Carson City, Nevada.

They started working together in January of this year, and they're not yet finished with the whole sleeve. As you can tell, it's very unusual and has a very unique approach.

These designs are all on John's right arm, and I am particular to the female tree person above on his inner forearm.

Thanks to John for sharing his Root People here with us on Tattoosday!

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Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

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All I Want for Christmas is a Tattoo with Teeth

On Christmas Eve afternoon, I was passing through Penn Station, I spotted Lindsay, a woman with what appeared to be a sleeve that had a water-inspired design.

It wasn't until after I approached her and asked if she wanted to contribute to Tattoosday that I saw, as she rolled up her sleeve, what awesome work she had done on her left arm:


Lindsay said that, like all of her 14 or 15 tattoos, none of them have "deep meaning". She just goes with whatever she describes as an "intense urge" at the time she's getting the tattoo.

The sleeve above started with her taking photos with stylings to the artist, saying she wanted a bloody shark. This was the first part of the tattoo:


She then expanded it with this segment of shark


which is certainly reminiscient of the movie poster for Jaws.


This piece was created in four sittings lasting 3-4 hours each, by John Reardon at Saved Tattoo (which was the shop responsible for yesterday's post, too).

Work from John Reardon has appeared here on Tattoosday previously. Work from Saved appearing on the site can be seen here. Reardon is also the author of The Complete Idiot's Guide to Getting a Tattoo.

Thanks to Lindsay for taking the time to share her incredible shark sleeve with us here on Tattoosday!

Merry Christmas and Happy Holidays!!

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Benjamin's Amazing Viking-Geisha Sleeve by Tim Kern

Please join me as I extend a metaphor.

I approach inkblogging as if I were one of those guys that goes out on the beach with a metal detector.

You find a lot of interesting stuff and, every once in a while, you find treasure.

Earlier this month, I saw a man in front of Madison Square Garden walking south. I was headed in the opposite direction and, despite my general reluctance to post sleeves here (I wonder if I can even do them justice), I stopped and asked him to show me the amazing work on his right arm.

I should also preface this by acknowledging how awesome it is to randomly find work by a tattoo artist who is at the top of his game, and is a recognized talent in the tattoo community.

Benjamin, the guy I stopped, was visiting New York from Denmark to see his artist, Tim Kern at Tribulation Tattoo. He was in town to begin work on a new sleeve. Benjamin happily shared his first sleeve:


Benjamin summarized the theme of his arm by stating that life is about choices. The two extrmes are, you can take a life, as represented by the Viking warrior at the top of the shoulder:


This is juxtaposed by the geisha who is taking her own life through ritual suicide:


The detail of the blood-spattered hand holding the seppuku blade is fascinating in its stark grisliness:


The sleeve also includes stunning waterfall and pagoda elements on the inside of the arm:


I especially appreciate the beauty and shading of the pagoda:


The color and artistry of this entire sleeve are astonishing and we are honored that Benjamin consented to contributing this work to Tattoosday.

We thank him and the artist Tim Kern for their work!

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Johnny's Crows Are His Spiritual Guides

Back in May, I got off the subway in Bay Ridge and was walking behind a guy with ink I couldn't quite make out.

I thought I saw birds on his right arm, but wasn't sure. He was talking to someone so I didn't bother him. I figure, in my neighborhood, I'll run into him again.

About a week later, my wife Melanie is telling me about someone with amazing tattoos with crows on it. She was so impressed, she struck up a conversation with him and passed him my card. I tell her I'm certain I know who she's talking about.

Johnny e-mailed me a day or two later. After some back and forth, we agreed to meet the first Sunday in June. I told him when I would be at the laundromat that morning and we met up and I took pictures.

The problem is, the pictures didn't come out great. It was a bright sunny day and the shots are very light. I e-mailed him back and explained what happened. He said he could send me some better photos. And so it goes.

That was the last time we communicated and I've decided to run the pictures anyway. The sleeve, for that's what it is, isn't complete anyway, so I figure we can get some better shots when the piece is complete.





Johnny has had about four sessions on this piece, and expects about four more.


The birds depicted are crows, which represent his "animal spiritual guide". In his words, "I am not only paying respect to spirit my guide, but also my ancestors, family and friends."


Represented in the various sections of the piece are Mother Earth, Father Sky, and The Great Being.



This work has been done by Half-Stack at Addiction Ink Tattoo & Piercings in Manhattan..

Thanks to Johnny for sharing his amazing ink with us here on Tattoosday! Sorry it took so lone to see the light of the blogosphere!

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Michael's Mythical Sleeves

I generally avoid featuring full sleeves here, because of the limitations that posting them has - it is difficult to fully capture the artistry in the work. But, on occasion, the tattoos are so amazing, I can't resist.

Such was the case with Michael, who shared portions of both sleeves with me. Here's a sliver of his right arm:


To fully capture the magic of this tattoo, here's a fresher, professional collage, courtesy of the artist Stacey Sharp:


Michael was proud of the fact that this tattoo took second place in the "Best Sleeve" category in the 2007 Philadelphia Tattoo Convention.

And although the top section of his left arm is still "under construction," the bottom half is no less spectacular:


The detail and shading is just absolutely phenomenal:


Michael, a professional make-up artist, explained that he embarked on these sleeves when he was going through a rough patch in his life and that, as a water sign, the creation and depiction of an aquatic dragon, helped mark a spiritual process that gave him strength while enduring life's trials and tribulations.

He estimated that the right, award-winning sleeve, took approximately 36 hours in total work and that his right sleeve is fifty hours in, and counting.

What's interesting about this post, aside from the brilliant tattoo work, is that I have a nice online friendship with the artist, Stacey Sharp, and that she provided me with her prospective of these sleeves. Generally we only hear from the host.

Stacey works out of Inkpulsive Custom Tattoos in Ronkonkoma, New York.

Stacey comments about her work on Michael:

Some interesting info about Michael's arms...

"The WaterDragon (right arm) was drawn on his arm at a moment's notice. He was only looking for 'a little something to add to his armband'. Took about an hour to draw on with a marker and another hour to outline. All of the blue background was done in one shot, 4 hours, including elbow and ditch (Michael advises to NEVER do those two areas at the same time). The lighter water swirls were added at a later date. The entire thing took 36 hours to complete. It's also the only tattoo I've done that has a 'Title'- A warm thing in a cold place. His species is WaterDragon. His proper name is Fathom... but sometimes we fondly refer to him by his nickname: The Sea Chicken!

The dragon on his left arm is Random. That's her name. Why? Because she is. :) Fur and feathers take much longer to detail. We didn't keep track of her time like we did with the WaterDragon. She's more of an Air/Fire combination... where the WaterDragon is more guarding, silent sentinel, she's the fun, spontaneous side. Whimsical."

So there you have it, an additional perspective, from the artist. It's interesting to get an additional point of view that expands on the notes I've scribbled down in the street.

Much thanks to Michael for enthusiastically sharing his work with us here on Tatoosday! And an additional thank you to Stacey Sharp for contributing her thoughts as well, in addition to granting permission to using the photo collage of the right sleeve.

Stacey's work has appeared on Tattoosday once previously, a much smaller, whimsical piece, here.

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