Tattoorism: Sean Returns, Part 2

Last week, I shared more of reader Sean's vast tat-alog here. It's time to finish off our inventory of this very generous fan o' the site. Let's see what we have:

...I got a clipper ship on my upper arm.  The ship is navigating through a background of clouds and lightning bolts and has a banner underneath reading �Hope.�  Its meaning follows the same idea behind my anchor tattoo.  Hope is a huge part of having a positive mental attitude, which I try (sometimes with little luck, of course) to hold at all times.  It�s a reminder that you can make it through stormy parts of your life, no matter how bad they get.  It�s also done in the traditional style I love so much.  The tattoo was done by Mike Schweigert at Electric Tattoo in Bradley Beach, NJ.

While attending [the 2010] Philadelphia Tattoo Arts Convention, I decided to get a tattoo to commemorate my first convention.  For as many years as tattoos have been a part of my life, this was my first convention...I got a blue rose with a candle spouting out of it in between my sparrows and flower on my outer elbow. 

I�m a firm believer in everyone having a different reasoning for getting tattoos.  Some are used as place markers in one�s life, some are used to remember an event, some have deep profound meanings and some are just aesthetically pleasing. I could probably come up with some in depth meaning behind the tattoo, but in the end, I got it to commemorate my first tattoo convention and that�s pretty much the only reason.  Done by Rocco at Death or Glory Tattoos in Westbrook, Maine.

Finally, I got my outer elbow to forearm done with a snake coiling through a skull and dagger and impaling itself on the dagger�s blade.  

I usually try to go out of my way to ensure that my friends/family/other people in general are happy, more often than I would like to admit, putting their happiness before my well-being.  This tattoo serves as a reminder for me not to do that so much, and to focus on myself sometimes.  The snake can be viewed as a protection figure, coiling around and through the rest of the tattoo, but has also caused injury to itself by doing so.  Basically, its my reminder that as much as I would like to help others, I need to keep my own happiness and well being in mind before I choose which action to take or I�ll end up injuring myself in the process.  Done by Mike Schweigert at Electric Tattoo in Bradley Beach, NJ.

A hearty thanks to Sean for continuing to share his tattoos with us over the years!

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Sealed with a Snake

I spotted Steve one day, and got him to share this rattlesnake tattoo on his right arm:

Steve has three tattoos and is bass player for a band called S.W.A.K.

He came up with the design and had Gary, owner of Shotsie's Tattoo in Wayne, New Jersey, complete the process.

Thanks to Steve for sharing this tattoo with us here on Tattoosday!

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Stephanie's Serpentine Strength

Under normal circumstances, I may not have stopped to chat with Stephanie about her wrist tattoo. However, she was playing with her new corn snake, which is not something you see everyday when passing through Pennsylvania Station.

Stephanie introduced me to her new friend Mu�eca (the Spanish word for "doll")

and then elaborated on one of her three tattoos, the word "Strength" on her inner left wrist:

She had this done at a time in her life when she was depressed, so she put the word on her wrist to remind her to always be strong.

What's truly interesting about this tattoo and the juxtaposition of the snake is the serpentine nature of the letter "S". My friend and co-worker Maida also pointed out, when I showed her the photo, that mu�eca also has the anatomical meaning of "wrist" in Spanish.

The tattoo was done at Progressive Tattoo in Lindenhurst, New York.

Thanks to Stephanie for sharing her tattoo and Mu�eca with us here at Tattoosday!

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Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

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The Tattooed Poets Project: Lisa Gill

Today's tattoo comes to us courtesy of Lisa Gill:

Lisa tells us:

"Last September, I got a rattlesnake in my living room. (I live rural outside the small town Moriarty, NM). I spent over two hours in close proximity to the snake, and ultimately ended up calling the sheriff's department and getting a deputy to help me catch it and release it off my property. After the encounter I spent months and months writing direct address poems to the snake and ended up with a play where the snake speaks back. The Relenting is both "true story" and archetypal and imagined journey, paralleling the transformation the snake sparked. The encounter, and the writing where I tried to process the encounter, changed my life, and because my life had changed (and is still changing), I wanted a tattoo to symbolize the transformation.

The only tattoo image I considered was the Minoan Snake Goddess.

I understood her intuitively in a way I'm still working to express with words. I worked with tattoo artist Serena Lander. I knew Serena's work on visual artist Suzanne Sbarge, who regularly helps bring Serena to New Mexico from Seattle. I trusted Suzanne and was right to. I had a great experience with Serena, the right kind of energy and contemplative exchange. I wanted line work, one color, kind of ruddy toned. She took images I sent her from archeological digs at the Palace of Knossos and transformed them into the image now on my arm.

I consider the image both a prayer and a mark of a turning point in my life. (I have three earlier tattoos, two black, one white, all smaller, from a decade prior, sparked by a different significant recognition.) The subtext for the new one is this: right before the encounter with the rattler, I'd just made it out of a wheelchair I'd been in for five months due to multiple sclerosis. Arms are not something I take for granted any longer... and the tattoo in that respect is simply about gratitude and facing disability with resilience, as much as I can muster..."

Please venture on over to BillyBlog to read an excerpt from the aforementioned The Relenting here.

New Mexico poet Lisa Gill is the recipient of a 2007 National Endowment for the Arts Fellowship in Poetry, a 2010 New Mexico Literary Arts Gratitude Award, and just earned her MFA from the University of New Mexico this April. She is a literary arts activist, currently booking poets for "Church of Beethoven," and the author of three books of poetry, Red as a Lotus, Mortar & Pestle, and Dark Enough. A fourth book, The Relenting, is forthcoming with New Rivers Press (June 2010) and can be considered either a play or a poem scripted for two voices, rattler and woman. She'll be touring the play in the upcoming year, starting with a staged reading with Tricklock's Kevin Elder at 516 Arts in Albuquerque in June and then onward to Minnesota, LA, hopefully even to NY.

Thanks to Lisa for sharing her amazing tattoo with us here on Tattoosday!

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Mike Shares Some More Ink

Back in May, I met a guy named Mike outside of Penn Station and he shared this tattoo with us.

Occasionally, contributors who I have met on the street will send me a follow-up of additional tattoos that I didn't photograph the first time I met them. Mike was generous enough with his time and energy to do just that.

First is a piece that was done around the same time that the lion-skeleton tattoo, featured back in May, was completed, back in 1995:

This, like the previous work featured from Mike, was inked by Doug White at the Ink Spot in Linden, New Jersey.

Mike also sent along this snake:



I love the cross-hatch patterns on the back of the snake. The lines are so finely drawn, I am impressed by the amount of patience it must have taken to get these tiny details just right.

Mike also sent a photo of this gargoyle on his back:


These last two pieces were inked at Tattoo Lou's in Babylon, New York back in 2000. Work from Tattoo Lou's has appeared previously on Tattoosday here.

Thanks again to Mike for sharing more of his ink with us here on Tattoosday!

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Tiger Versus Viper

I had the good fortune of meeting Burton in Penn Station as he was headed back to Georgia.

He was in town because his friend had won tickets to the MTV Video Music Awards the night before, and he got to tag along.

Burton is a tattooist with thirteen tattoos, and the one he shared with me is truly spectacular:


He collaborated on this design with his friend Richard Nunnaly at Psycho Tattoo in Marietta, Georgia.

Burton wanted something traditional, that represented an inner struggle.


They developed the tiger fighting the viper (and winning), but modified it to give the design a cartoon-like spin.


He explained that they had the original design, but that it wasn't that exciting to their creative sensibilities, so they started sketching directly on the arm. The whole piece took approximately 14-16 hours.

I especially love how the tiger's fur spirals at the elbow.


Thanks much to Burton for sharing this amazing tattoo with us here on Tattoosday!

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Annie Cherry and Bindlestiff Willy in New York City

I met Annie Cherry outside of Penn Station in early September. She was talking with Bindlestiff Willy. She had visible tattoos. He did not.

I approached them and introduced myself.

This is Annie:


And here is Bindlestiff Willy:


Both perform with a group called the Kansas City Society of Burlesque.

They had been in New York City performing out on Coney Island the previous weekend and were heading home.

Annie graciously allowed to photograph her two tattoos, juxtaposed nicely on her inner forearms:


She explained the one on her left arm, saying it was a shooting star, about to be launched from a slingshot. She said the tattoo represents creative inspiration and that it reminds her "not to take herself too seriously".


Incidentally, several weeks later, I met a woman with a similar tattoo, only justaposed differently on the left arm. I was shocked to see it, but she explained that it was also a band logo for the group Gogol Bordello.


The snake on her left arm represents knowledge to Annie, and a reminder that the destination is not always reached by taking the straight path.


Both tattoos were inked by Chet Duvenci at The Mercy Seat Tattoo & Art Gallery in Kansas City.

After talking about her tattoos, Annie informed me that her traveling companion Bindelestiff Willy had a couple of great tattoos, as well. They were inked at The Mercy Seat also, but by different artists.

Damian removed his jacket and rolled up his sleeves to reveal the tattoos on his upper arms.

The first is on his upper left arm:


If this classic pin-up girl looks familiar, scroll up to the top of the post and take another gander at the photo of Annie.



The tattoo is modeled after her. The phrase "Clowns need love too" is self-referential. This piece was inked by Scott Shickman.

Damian, who performs under the name of "Bindlestiff Willy," is a pantomime specialist who does a great Charlie Chaplin routine. The pun in his stage name combines the "bindle stick" commonly carried by hobos and tramps (in the Chaplinesque sense) and the raunchiness of "stiff Willy".

His second tattoo, on the right arm, is a portrait of Charlie Chaplin's "Little Tramp" were he still alive. Of course, as the 1889 implies, Chaplin is a skeleton today, so the traditional tattoo takes a macabre turn.


This piece was done by John Monk.

A big thanks to Annie and Willy for sharing their awesome tattoos with us here on Tattoosday!

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Kate's Snakes

Although it was Jenny (here) who was visibly inked, Kate also had a tattoo, hidden from view.

So when I was done talking to Jenny, I asked Kate if she wanted to share, as well.

Kate unveiled this great tattoo on the lower portion of her back:


(A Tattoosday production note: I never solicit back tattoos but will happily feature them, when offered).

This piece consists of a couple of snakes consuming one another, a symbol of the circular cycle of life, death, and rebirth.

Or, in Kate's words, "what destroys us, sustains us".

This tattoo was inked at Twilight Tattoo in Minneapolis, Minnesota.

Thanks to Kate for baring her back and sharing her snakes with us here on Tattoosday!

Update: "Anonymous" commented that this looked like the Auryn from The Neverending Story:



It certainly does! Thanks Anonymous!

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Tiffany's Tree of Life

I was walking through Penn Station back on July 3 when I noticed the woman ahead of me had an interesting-looking tattoo on her inner left bicep.

But it was rush hour and I was off to a small birthday gathering so, when we went separate ways at the turnstiles, I sighed and thanked the tattoo deities for letting me meet two other people earlier in the day.

A few minutes later, however, while pacing the platform, I ran into her again. And, well, I couldn't resist talking to her about this fascinating tattoo:


Tiffany, who was visiting the East Coast from Los Angeles, was quick to point out that this was not the tree of knowledge in the Garden of Eden. Apparently the serpent confuses a lot of people.

In fact, Tiffany says the tree is based on the tree of life in Angkor Wat, Cambodia, where she visited two summers ago.

The presence of the serpent is due to her affection for snakes, and the image of the reptile climbing the tree in pursuit is a nod to the circle of life. The tree sustains the bird; the bird sustains the snake.

Of the three tattoos I saw on my birthday, this one just made my day. The detail is phenomenal, and I just loved the concept of the piece.

It was tattooed by Henry Lewis at Incognito Tattoo in Pasadena, although he has moved to Northrn California. Although not listed on their website, he has been associated with Everlasting Tattoo in San Francisco. Incognito's site says he still makes guest appearances at the shop in Pasadena.

Thanks much to Tiffany for capping off an awesome day by sharing her wonderful tattoo with us here on Tattoosday!

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